An Aesthetic Study of Rimpu Traditional Attire of the Bima Community in West Nusa Tenggara
DOI:
https://doi.org/10.71094/sucilpa.v1i2.113Keywords:
Rimpu, Bima, traditional clothing, aesthetic analysis, cultural symbolism, social identityAbstract
This study aimed to analyze the aesthetic values, social functions, and symbolic meanings of the traditional Rimpu clothing of the Bima community in West Nusa Tenggara, Indonesia. Using a qualitative descriptive approach, data were collected through direct observation, structured interviews, and documentation of Rimpu variations, including Mpida and Colo types. The analysis focused on visual elements such as color composition, ornament patterns, proportions, and overall visual harmony, as well as the social and religious contexts of Rimpu usage. The findings revealed that Rimpu integrates aesthetic, symbolic, and social functions in a coherent manner. Colors, patterns, and proportions are carefully designed to convey social status, gender roles, and moral values, while maintaining visual harmony. Variations in Rimpu reflect life stages and ritual contexts, demonstrating its role as a medium of cultural communication. Furthermore, Rimpu aesthetics show adaptability to modern influences without losing traditional symbolic meanings. This study concluded that Rimpu is not merely a traditional garment but a complex cultural artifact that embodies the Bima community’s identity, social structure, and ethical values, providing a rich source for cultural preservation and further scholarly research
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